CONTACT:

N. Scott Robinson
Parkville, Maryland 21234-4012 USA

Phone & Fax: (001) 410-661-5024
E-Mail & Text: sonrob@msn.com
Skype: nscottrobinson

Web Pages: N. Scott Robinson - http://www.nscottrobinson.com
YouTube - http://www.youtube.com/nscottrob
Facebook - http://www.facebook.com/nscottrobinson
MySpace - http://www.myspace.com/nscottrobinson
LinkedIn - http://www.linkedin.com/in/nscottrobinson

Currently Teaching at:

Towson University - Department of Music - nrobinson@towson.edu

Office: CA 2106 - Phone: (001) 410-704-2679

Goucher College - Music Department - nscott.robinson@goucher.edu

The University of the Arts - Department of Music

CV: N. Scott Robinson CV - PDF

Press Kits: Press Kit I - PDF & Press Kit II - PDF

BIO

N. Scott Robinson, world percussionist, scholar, and teacher, has performed on the Grammy Award-winning CD Harlem Renaissance with the Benny Carter Big Band. He has also performed or recorded with Larry Coryell, Haig Manoukian, David Kuckhermann, Marilyn Horne, Paul Winter Consort, Malcolm Dalglish, K.S. Resmi, Mary Youngblood, Robert “Tigger” Benford, Oxymora, Umayalpuram K. Sivaraman, Howard Levy, Layne Redmond, Valerie Dee Naranjo, Glen Velez, Benoit Moerlen, Giovanni Hidalgo, John Clark, Steve Gorn, Jon Gibson, Jeanie Bryson, R. Carlos Nakai, Bill Miller, Joseph FireCrow, Peter Phippen, Skip Healy, Vivien Ellis, Jan Seiden, Autumn's Child, Simon Shaheen, Jamey Haddad, Gary Stroutsos, Art Baron, Ken Filiano, Michael Formanek, Dave Ballou, Howard Johnson, J.D. Parran, Eugene Friesen, Paul Halley, Slats Klug, Michael DeLalla, Nóiríin Ní Riain, Steáfán Hannigan, Peter Zummo, Daniel Palomo Vinuesa, Randy Crafton, Mark Holland, Ron Warren, Jeff Ball, Dawn Avery, Peter Mayer, Jim Mayer, The Cleveland Orchestra, The Washington Metropolitan Symphony Orchestra, New Jersey Percussion Ensemble, Regina Belle, and Gerald Alston. Scott has worked under the direction of composers John Cage, George Crumb, Halim El-Dabh, Michael Colgrass, Daniel Goode, and Annea Lockwood, having recorded two CDs with the Annea Lockwood Ensemble. He has studied with Peter Erskine, Glen Velez, William Moersch, Naná Vasconcelos, Malcolm Dalglish, Keith Copeland, Indian musicians Erode K.S. Nagarajan, N. Amrit, Srirangam R. Kannan, B. Shreesundarkumar, T.V. Vasan, N. Seetharaman, N. Ganeshkumar & T.H. Subashchandran, and Shona musicians Chaka Chawasarira & Cosmas Magaya. Scott has produced two CDs of his music including World View (1994) and Things That Happen Fast (2001) released and distributed internationally by United One Records/Qualiton Imports. He also has an instructional video published called Hand Drumming: Exercises for Unifying Technique for udu (1996) distributed by Wright Hand Drum. Fourteen scores of his world percussion compositions (seven of which are commissions) have been published by HoneyRock Publishing and New World View Music in 2003-2010. His music and interviews have been featured on the nationally syndicated Public Radio International show Echoes by John Diliberto, among others.

As a solo artist, N. Scott Robinson brings a breadth of diverse experience in world percussion traditions to the stage and classroom. He has given clinics on diverse styles of hand drumming at the Japan Percussion Center in Tokyo, Japan in 1994, for the Percussive Arts Society VA/DC Chapter Day of Percussion in 1996, and at the Percussive Arts Society International Conventions in Nashville, TN in 1996, in Anaheim, California in 1997, at the MD/DE Chapter Day of Percussion in 2004 & 2011, PASIC in Columbus, OH in 2007, VA/DC Chapter Day of Percussion in 2008, SC Chapter Day of Percussion in 2009, and in 2012 he was a featured on a panel discussion on world music ensembles at PASIC in Austin, TX. Scott was Artist-in-Residence for the Percussion Departments of the University of Kentucky in Lexington, KY in 2004, Northern Illinois University in DeKalb, IL in 2005, University of Missouri-Columbia in Columbia, MO in 2006, Duquesne University in Pittsburgh, PA in January & March in 2007 (where an entire percussion ensemble concert was devoted to his music), Gettysburg College in Gettysburg, PA in December 2008 & 2009, and Winthrop University in Rock Hill, SC in April 2009. In 2008, he was also invited to perform a special concert of North African music with David Kuckhermann and oud player Haig Manoukian at the St. Louis Symphony Orchestra Explosions Percussion Festival in St. Louis, Missouri.

Scott's national performance experience includes appearances at Carnegie Hall, Lincoln Center, Apollo Theater, St. Peter's Church, Cathedral of St. John the Divine, and the Knitting Factory all in New York as well as The John F. Kennedy Center for the Performing Arts in Washington, DC, Severance Hall in Cleveland, Blues Alley in Baltimore, and elsewhere. His international performance experience includes an invitation in 1999 to teach samul nori percussionists West African rhythm for The Seoul Performing Arts Company in South Korea. In 2000, Scott toured Australia with Malcolm Dalglish performing his own solo pieces for tambourines and a variety of folk music. Scott was the only soloist invited to perform at the 2001 Korea Drum Festival in Seoul, South Korea. In 2003 & 2004, he was invited to South Korea to be a part of the Seoul and Busan modern dance improvisation festivals and in 2004, the Seoul Drum Festival with his world percussion trio, Handful. In 2005, he was invited as guest lecturer at the Department of Indian Music at the University of Madras in Chennai, India where he did presentations on modern frame drumming and performed in a cross-cultural concert of fusion music. In 2008 & 2011, he was the main artist at the Greek Frame Drums Meeting in Mesolóngi, Greece where he performed a solo concert on world percussion and taught master classes on his unique method for frame drums. Scott was also a featured workshop and concert artist at the North American Frame Drum Association, Inc. NAFDA Canada at The Royal Conservatory in Toronto, Ontario, Canada in June 2009. In August 2009 & 2011 & 2012, he was an invited artist at Tamburi Mundi in Freiburg, Germany where he taught 5 workshops on a variety of frame drumming and performed in 4 concerts. In June 2010 & 2011, he was a featured performer and teacher at Frame Drums Italia in Montelparo and Recanati, Italy. In Oct. 2012, he was an invited artist for Li Ucci Festival in Salento, Italy.

His teaching experience includes applied music and academic courses at all levels from undergraduate to graduate. He is a member of the Department of Music at Towson University in Towson, Maryland where he teaches courses in American, world, popular musics, Applied Music-World Percussion, and the world music ensemble, and Scott also teaches Applied Music - World Percussion, Percussion Ensemble, and world music survey at Goucher College in Towson, Maryland. Previously, he has served as faculty at Montgomery College in Maryland, Shenandoah University in Virginia, The University of Akron in Ohio, and at Kent State University in Ohio.

Scott's academic education includes a diverse background in performance, composition, and scholarship. He studied with jazz drummers Joe Hunt, Skip Haden, Ed Uribe, Dave Weigert, and John Ramsey at the Berklee College of Music in Boston, MA from 1983-1984. He then studied classical percussion with Gary Van Dyke and Ray DesRoches briefly at William Paterson University in 1985 where he performed with the New Jersey Percussion Ensemble. In 1989, he began his studies of jazz and classical music at Rutgers University where his teachers included composers Noel DaCosta, Phil Corner, Daniel Goode, jazz musicians Keith Copland, Kenny Baron, Bill Fielder, classical percussionist William Moersch, and modern dance composer and world percussionist Robert "Tigger" Benford. Scott studied ethnomusicology, musicology, and culture studies at Kent State University from 1996-2003 with Terry Miller, William Kenney, Robert West, and composer Halim El-Dabh.

Scott is a graduate of Rutgers University (B.A. in 1994) and Kent State University (M.A. in 2002, currently ABD for Ph.D. in Musicology-Ethnomusicology, Aug. 2013 graduation). As a scholar, his published work often focused on issues relevant to percussionists and includes interviews and articles published in Modern Drummer, Percussive Notes, Rhythm Music, Dulcimer Players News, Batera & Percussão (Brazil), Continuum Encyclopedia of Popular Music of the World, Volume 2: Performance and Production, and The Concise Garland Encyclopedia of World Music, among others. Scott has presented academic papers on Brazilian percussion at regional and international meetings of The Society for Ethnomusicology in 2002 and International Society for Improvised Music in Denver, CO in 2008. He was awarded a Senior Performing Arts Fellowship from the American Institute of Indian Studies to study and research percussion in South Indian Carnatic music in Tamil Nadu, Karnataka, and Kerala in India during 2005-2006.

He is the founder, Chair, and Treasurer of the North American Frame Drum Association, Inc., and one of the principal organizers of numerous annual NAFDA Frame Drum Festivals, which feature top international frame drum artists from around the world presenting concerts and workshops in Indian, Brazilian, Irish, Italian, Arabic, Uzbek, Persian, and Spanish world percussion styles. Scott often works closely with respected manufacturers of a variety of world percussion and in 2008 Cooperman produced three new frame drums, a 12" bendir, a 14" tar, and a 22" lap style bodhran, based on N. Scott Robinson's specifications. In 2010, Buffalo Moon Flutes has designed 2 models of N. Scott Robinson tuned udu. N. Scott Robinson holds endorsements with Cooperman, Black Swan, Descarga Percussion, Diga Percussion, Buffalo Moon Flutes, Meinl, Peterman, Anklang Musikwelt, Decora 43, Milltone Drums, Kleo Drums, Wright Hand Drum, and David Bellinger E-Kalimba. For more about N. Scott Robinson, please visit http://www.nscottrobinson.com, http://www.myspace.com/nscottrobinson, http://www.youtube.com/nscottrob, and http://www.facebook.com/nscottrobinson.

 

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